After an uneventful Friday evening, Mike and I set out for Scolari’s Office shortly after midnight. We arrived as the previous band tore down and the next set up; a couple minutes later we were settled in with a pitcher against the standing bar that faces the stage. As the band did their sound check, I noted “He Tried 2” scrawled on the drums with metallic sharpie, but I couldn’t tell you if that was their name or not.
When the singer ambled up to join his band-mates, he wasn’t wearing pants. “Oh, cute,” I thought, “He’s got a shtick.” Then he pulled his t-shirt over his head and started screaming into the mic, standing in nothing but a girl’s thong several sizes too small for his chubby ass. The price tag, still attached, danced gleefully about his offensive little package.
“Fuck you and your quiet Friday night,” said Scolari’s. “It’s time to bring the pain.”
Let me get this out of the way: the music was awful. The guitar was simple and repetitive and the vocals, which, mercifully, were drowned out by the instruments, were a noxious fog of meaningless screams and yells. The one lyric I remember (probably because it was repeated thirty or forty times in a row) was “Walking Jesus like a dog.” How original.
It became obvious that the singer believed himself to be a reincarnation of GG Allin, and he flailed about with much gusto. At times, the thong was pulled down while he threw himself on top of people seated at the bar, and when someone tucked a dollar in his panties he took the opportunity to rub the bill all over his asshole and face (in that order). Grabbing a pitcher (not ours, thankfully), he sprayed the audience with beer from his mouth, then fell to the floor and spilled the Budweiser over and around himself. The liquid, combined with the dirt from the filthy carpet, became a muddy slick in which he writhed and wallowed.
In between songs, he propositioned a homely, pudgy blonde seated on a bar stool. “Let me lick your pussy, girl. I bet it smells awful.” She grabbed her crotch in jest, and a few minutes later (after a bit more thrashing and screaming) he jumped on top of her and they began horsing around. Both parties were incredibly drunk, however, and the roughhousing soon devolved into a legitimate physical battle. He pinned her on her stomach and sat on her shoulders; she gamely bobbed her ass in air like a good sport. After some more sparring, he pinned her on her back and seated his grimy ass cheeks on (and around) her face. She became angry at this point and summoned enough strength to overpower GG Jr. Upon being pinned to the floor he became upset and began to scream, “Get off me you fat whore! Let me go! Get the fuck off meeeee!” The crowd separated the pair and she sulked near the door for a minute before running back into the fray, attempting to shove him down on top of the drum kit. They fought in earnest now, and this time the doorman had to help pry them apart. The girl was kicked out, and the show ended early (a whole five songs) after the singer decided he didn’t like how the doorman had handled things and became abusive. They almost came to blows, and thong boy kept screaming, “I’ve been playing here long before you ever showed up!” and “I’ll have [bartender] Donny fuckin’ kick your ass! You don’t know what rock and roll is!” This display, along with his pitiful squeals while pinned to the ground, painted a most unimpressive picture. Allin would have kicked his head in (then shat in it).
After things settled down, the cops strolled in with the drunken blonde in tow. They questioned the bartenders but left shortly after; it appears the staff may have covered for the band, which is disheartening, really. That singer was a little bitch. We walked home, still shaking our heads in disbelief.